Artists of the Month: Hightauer & Yung Figaro
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🧠 Artists of the Month: Hightauer & Yung Figaro
“NR. 1 HATER” brings together two uncompromising voices from Vienna’s underground. Hightauer (@hightauer) and Yung Figaro (@yung.figaro) deliver raw presence and sharp individuality over a full sonic vision crafted by brainwaveproductions®
Visual concept, video production, and cover artwork by HECKERMANN (@heckermann.visual).
Built from the studio outward, “NR. 1 HATER” is not trend-chasing. It has been created to exist.
Hightauer cuts through with a striking voice and eccentric flow patterns.
Yung Figaro counters with fearless directness and humor that disarms and hits at the same time.
The chemistry is structured but raw.
The beat set the atmosphere. The concept was deliberate. The execution was precise.
From production to final master, the sound identity remains cohesive — unapologetic and unmistakably underground.
💬 The Interview
Hightauer: A Euro-African — or Afro-European — who has been traveling through Vienna for several years, embodying the sound of the eccentrics who live in the city's underground bomb shelters.
Yung Figaro: I say everything honestly. I’m always direct. And I place a lot of value on humor and good energy.
My striking voice and my weird flow.
It actually started pretty organically — a homie of his was my brother’s neighbor. One of those small-world connections.
Hightauer: Yes — when I first came out in public and people wanted more from me.
Yung Figaro: It’s my destiny.
I want the whole package. All criteria are important to me. I also don’t know why people highlight my lyrics so much — I probably hit a few nerves.
Sometimes this, sometimes that.
We got along well from the start. The chemistry was right immediately, and it felt natural to bring ideas into the studio together.
When the beat speaks to my unconscious — it hits in a way that goes beyond conscious thought and just feels right.
I’ll partly leave the “boom bap world” behind and try something different. Evolution is key, and I want to explore new directions.
Well, for example, J. Cole also does boom bap and he’s mainstream. We make modern boom bap. I haven’t been in the game long yet. We’ll see what happens next. I don’t want to be pigeonholed.
I want to get out what’s inside of me. The energy, the experiences, the feelings — all of it needs to be expressed.
Most of the time the beat dictates what I feel and think. It’s like a conversation — I respond to the vibe rather than forcing it.
Nationally or in German-speaking countries: OG Keemo, Kwam E, and Morlock Dilemma. Internationally: Mobb Deep, Eminem, and Conway the Machine.
Many have no voice.
Away from Spotify. They don’t even pay the minimum wage. Press records, CDs, and tapes — physical formats still matter.
Not really.
Hightauer: Brainwave made the beat and Yung Figaro had the idea.
Yung Figaro: Planned.
My sound is always individual but somehow familiar. My identity is about not giving a damn what others say, to create completely unique art.
Hightauer: When the beat appeals to my unconscious.
Yung Figaro: The Powidl filling.
Pferdeleberkäs.
It’s very important to me personally, though I notice that most of the scene doesn’t care. They sell out and just copy everything.
The size of my forehead.
A very talented producer with an extremely good ear. I’m sure the whole scene will hear him soon.
Efficient.
That you shouldn’t dilute orange juice with water because it tastes terrible.
That we all hate.
With a 9mm.
Hightauer: A tour through Germany, Austria and Switzerland.
Yung Figaro: In the studio with full pockets.
Hightauer: If money, respect, legacy, and freedom are all fulfilled.
Yung Figaro: Regular gigs and one day being able to live from it.
Simply a lot of good music.
I was in the breakdance scene for ten years.